Steppenwolf, by Hermann Hesse

Day 1,841

Steppenwolf was published in 1927 and reads as modern as anything published today.

I didn’t know much about this book, apart from its literary and social influence, but it certainly wasn’t what I expected. I didn’t realise I’d be reading something that feels so modern, fresh, and incredibly relevant in today’s world.

Harry Haller leaves a manuscript of his strange and wonderful inner and outer life to the nephew of his landlady – then disappears.

In the first few pages of Steppenwolf, the nephew tells us of his short time spent with the strange, sad, and brilliant lodger he so admires, but finds impossible to understand. Then, ‘we’ get to read the whole of Haller’s manuscript to ourselves. But is it real? Or is Haller simply a brilliant fantasist?

Harry is not happy. Harry is us.

Harry Haller believes he is half wolf. This is explained to us in dream-states, a magic theatre, and in conversations with the woman he needs to fall in love with and then – kill.

Suicidal, Harry meets Hermione and everything changes. She tells him he takes life way too seriously and teaches him to dance to music he hates. She also finds him a lover in the prostitute, Maria.

Every hour of every day, the wolf had ripped the meat and chewed the bones from the important parts of his academic, social and romantic life. It snarled and sniggered at his every thought and action, making him insular, self-doubting, and often suicidal.

But now he dances to jazz music with every woman in the room. He has learned to smile and enjoy himself.

But it never lasts.

Can Hermione save him from himself and keep him alive? Will he ever be free of his Steppenwolf? Can he save himself from himself?

I loved this book so much. More than my meagre ramblings can explain. I’m glad I read it before being hit by a bus, or decapitated by a speeding fin in a sharknado. Because you just never know!

Read it now – just in case!

Cold Water, by Gwendoline Riley

Day 1,840

Its been a while. I’m going to be writing regularly here in the next week or two. I’ve been working on some recovery posts, and various non-fiction, simply to kick-start my writing in general. But I’ve been reading a lot. I’ll post a few mini reviews until then.

I read this amazing debut from Gwendoline Riley when it was first published in 2002, and I’ve been reading everything she’s written ever since. It blew me away!

Carmel McKisco is a 20-year-old barmaid drifting aimlessly though the grey and rainy wastes of Manchester, navigating around the people who come in and out of her life. That’s pretty much the book, really. At only 150 pages she packs a lot into a little.

Like all her books, it’s a slice of life at a certain point in time. Not much happens, except everything. Her descriptions of a dreary Manchester at the end of the 1990s, the bars, the clubs, the second-hand bookshops and the people who inhabit them are written like a Russian master in All Star and Mary Jane’s shoes.

All Gwendoline’s books are slim, but they are filled with the swirling universes and black holes of life. She’s serious, sassy and funny (sometimes in the same sentence).

She was around 20 years old and working in a Manchester bar when she wrote this. It’s not rocket science to guess that she drew from her own experiences.  At such a very young age her prose is startlingly mature and brilliant. And with every book she gets better. My Phantoms her latest novel is a masterclass of prose writing.

I’ve realised from many reviews of her books, you either adore her work or hate it. There doesn’t seem to be middle ground. She’s been praised and slaughtered in equal measures.

I love all her work and Cold Water was written by a northern genius in the making.

As always, my words fall short of describing how brilliant she is. Read her. She won’t take up much of your time.